Jodie Comer Movies and TV Shows: The Best Ranked List

She went from British TV indie darling to the kind of actress who shows up in Star Wars and gets her own action figure. Jodie Comer built a career on roles that feel nothing alike—cheerful best friend one year, ice-cold assassin the next—and somehow makes both feel inevitable. This ranked guide covers the projects that defined her rise, from early breakout work to the 2025 horror film everyone’s watching for.

Breakthrough Role: Villanelle in Killing Eve · Star Wars Appearance: Rey’s mother in Episode IX: The Rise of Skywalker · Recent Films: The Bikeriders (2023), The End We Start From · Notable TV Credits: Help, My Mad Fat Diary, Thirteen · Key Collaborations: Free Guy, The Last Duel

The key facts below provide a quick reference for Comer’s career milestones and critical standing.

Jodie Comer’s 10 Best Movies & TV Shows, Ranked

Six projects stand out when you sort by critical scores and industry recognition—Help’s 100% Rotten Tomatoes rating sits alongside Killing Eve’s devoted fanbase and Comer herself calling the Star Wars set “the most peculiar, incredible experience.” Three distinct genres, three different modes of acting, and she nailed all of them.

Top-Ranked Performances

Killing Eve leads the IMDB rankings at 8.2, where Comer’s Villanelle became the kind of character people tattoo and write dissertations about. The show ran from 2018 to 2022 on BBC America, created by Phoebe Waller-Bridge, and it fundamentally changed how audiences saw her (Britannica). Her opponent was Eve Polastri, played by Sandra Oh.

Help scored 8.0 on IMDB and a perfect 100% on Rotten Tomatoes—the kind of number that forces you to actually watch it. Comer played Sarah, a care worker navigating the COVID-19 pandemic in a UK care home, and the performance earned her a BAFTA Television Award for Best Actress (Wikipedia). The End We Start From (2023) sits at 89% on Rotten Tomatoes with Comer serving as executive producer alongside her acting role.

Critical Acclaim Highlights

The Last Duel pulled 85% on Rotten Tomatoes with Comer as Marguerite de Carrouges—a role that required her to carry historical weight most actors never get to show. Ridley Scott directed the 2021 historical epic, and critics specifically called out her performance for elevating the material.

Free Guy gave Comer a chance to be funny in a way Killing Eve never allowed—dual roles as Millie Rusk and Molotov Girl in the Ryan Reynolds action comedy earned praise for her “fun side” (ScreenRant). Her Star Wars cameo as Rey’s mother Miramir in The Rise of Skywalker (2019) scored 6.5 on IMDB, but Comer filmed it in one day and reportedly expected heavier green screen work than the actual set detail required (Digital Spy).

What has Jodie Comer been in recently?

Post-Killing Eve, Comer shifted into film mode with a run of projects that showed she could anchor arthouse-adjacent releases alongside mainstream studio fare. The Bikeriders and The End We Start From both dropped in 2023, and she’s already attached to the next big horror moment.

2023 Releases: The Bikeriders

The Bikeriders features Comer as Kathy Bauer in Jeff Nichols’ look at 1960s Midwest motorcycle club culture. The film co-stars Austin Butler and Jodie Comer, and critics highlighted how her casting drew attention to a project that might otherwise have gotten lost in the awards-season noise. Rotten Tomatoes ratings placed it favorably among her recent work.

The End We Start From

Released the same year, The End We Start From placed Comer as Woman (executive producer credit included). The post-apocalyptic drama scored 89% on Rotten Tomatoes, with CBR ranking it tenth for forcing audiences to “reflect on their own actions.” That’s not typical praise for a star vehicle—it’s praise for a role that makes you uncomfortable in exactly the right ways.

What this means: Comer used her post-television momentum to pick projects that reward close attention rather than broad appeal. The Bikeriders and The End We Start From aren’t trying to be Free Guy—they’re trying to be remembered.

Jodie Comer TV Series

Before Villanelle made her a household name, Comer was building the kind of resume that flies under the radar until suddenly it doesn’t. My Mad Fat Diary, Thirteen, Help—the pattern is consistent: she finds roles that ask her to disappear into someone genuinely different.

Killing Eve Breakdown

Eight seasons of Killing Eve (really four, split across two distinct runs) gave Comer the role that career websites use as shorthand for “watch this actress next.” She earned a Golden Globe nomination for Actress in Television Series – Drama (Golden Globes), a BAFTA Television Award, and a Primetime Emmy. The show created by Phoebe Waller-Bridge ran from 2018 to 2022 and made Villanelle the most quoted fictional assassin since Hannibal Lecter.

Early Roles: My Mad Fat Diary, Thirteen

My Mad Fat Diary ran from 2013 to 2015 on E4, with Comer playing Chloe—a popular best friend to Rae, the show’s lead. It’s the kind of role that gets remembered as “oh, she was good in that British show.” Thirteen (2016) gave her the lead as Ivy Moxam in a BBC Three miniseries about a character who returns to normal life after being kidnapped years earlier. Both roles predate Killing Eve by years but show the emotional precision she brought to smaller projects first.

The catch: viewers who discovered Comer via Villanelle often skip her earlier work, but My Mad Fat Diary and Thirteen contain some of her most technically demanding acting. The difference is budget, not talent.

Jodie Comer Movies and TV Shows on Netflix

No direct Netflix originals starring Comer exist—the platform hasn’t yet locked her into a streaming deal the way it has with some peers. But Killing Eve’s distribution history matters for where you can actually watch her work.

Available Streaming Titles

Killing Eve seasons one through four were available on Amazon Prime Video internationally; US audiences had different availability windows depending on the streaming cycle. Free Guy and The Last Duel both rotate through various rental and purchase platforms—Apple TV, Amazon, Google Play—as is standard for post-theatrical releases.

Netflix Highlights

The honest answer on Netflix specifically: Comer isn’t a Netflix original star, which means her work there depends on licensing agreements that change without warning. Killing Eve was available on Netflix in some regions at some points, but current availability requires checking your regional platform directly. Her filmography doesn’t currently include any titles where Netflix holds exclusive streaming rights.

The pattern: if you’re specifically looking to stream Comer content via Netflix, you’ll need to watch rotation changes or consider rental platforms instead. The BBC/Amazon pattern has been more reliable for her television work.

What is the new BBC drama with Jodie Comer?

The buzz around Comer and the BBC centers on a few projects, but Rillington Place (2016) remains the most directly BBC-affiliated crime drama she starred in—though it came out years before Killing Eve made her a global name.

Rillington Place Details

Rillington Place was a BBC Three drama based on the real-life case of John Christie, with Comer in the cast during her pre-breakthrough years. It’s the kind of project that looks very different now that she’s a BAFTA winner—watching it with that knowledge changes how you read her early work.

Recent BBC Projects

The White Princess (2017) offered Comer a role in the Starz/BBC co-production of Philippa Gregory’s novel—historical epic content that predated The Last Duel by several years but showed appetite for period material. Help (2021) aired on Channel 4, not BBC, but it’s the most-watched BBC-affiliated drama in her recent catalog.

What to watch: if you’re specifically chasing “new BBC drama with Jodie Comer,” Rillington Place and The White Princess are your anchors. Neither matches her current profile, but both show the groundwork that Killing Eve built on.

Jodie Comer on her Star Wars rolethe most peculiar, incredible experience

Digital Spy (Entertainment news outlet)Surprised by the great attention to detail on-set, having expected heavier use of green screens

The pattern across her career is unmistakable: Comer picks projects that ask something specific of her, then delivers exactly that thing. The Last Duel needed historical weight. Help needed emotional restraint. Free Guy needed comic timing. The Bikeriders needed grit. She gave each one exactly what it needed, which is rarer than it sounds.

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While our ranking highlights top acclaim, this Swedish filmography guide offers another detailed look at her standout movies and series.

Frequently asked questions